Stronger Retold

A brand is a shortcut for meaning in people’s heads. Other people and machines now make most of that meaning for themselves, on their own terms. But brands that are built right can get stronger with every retelling. This is an exploration of which brands are built for it.

A goose in flight, drawn by hand in ink

Experiments

On building brands when meaning is made by others

Retellability Test

How do we evaluate whether a given brand can build meaning in this environment? A starting hypothesis: We need to look at two things. First, whether the brand is ready to be retold in the first place. Second, whether it’s actually being retold accurately and favorably.

How the test works

This diagnostic test scores a set of variables, all pulled from public evidence. None of these brands asked to be in it. Together, the variables make up two key measures:

  1. Brand Readiness: Whether the brand is built to be retold by other people and machines (whether it has distinctive assets, a world worth repeating, a record clear enough to attach things to)
  2. Brand Rendering: Whether it actually is being retold by them (whether they’re recommending it, discussing it, and writing about it), and whether what shows up is accurate and favorable

This is a starting point. The instrument will change as it meets more evidence.

All Retellability Test results →

Arguments

Propositions on how brands get built now

All arguments →

The new folklore

In June 2026, the CMO of one of the world’s largest advertisers, Unilever, delivered a keynote at Cannes and said his company had “stopped asking what our brands want to say” and started asking “who would care enough to carry it.”

A trickster fox running, drawn by hand in inkThat one sentence sums up where the marketing world finds itself today as well as anything I’ve read. “A brand is what people say when you’re not in the room,” the old saying goes. It’s always been true. This is folklore. A story passed from mouth to mouth, changed a little by each teller, and (importantly) owned by no one. Cinderella, for example, has countless variations across time and cultures, but we all recognize it when we hear it. Brands work the same way.

Historically, brands would heavily contribute to their own folklore by authoring stories and sending them into the world. But now, the balance has tipped. We don’t control our brand’s stories anywhere near as much as others do. Today, a brand is far less what it says about itself, and far more about what a wide ecosystem of third parties, both human and non-human, can find, trust, rank, recommend, and sell.

Lots of people are already talking about this issue, not only Unilever. Almost all of the conversation, though, has been about identifying and naming the problem. It goes something like this: A brand is a shortcut for meaning in our minds, but how do we keep that meaning coherent and effective when we aren’t the ones making it any more?

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